A Casualty of War
Fall, 1947. World War II has been over for more than two years, but a new war has taken its place: the Cold War. Previous alliances no longer exist, and new aggressions concern the security services of the United States and Great Britain. Into this fragile peace is drawn a young American woman, Abigail Carmichael, selected without her knowledge to become the bearer of information which is critical to them. Leaked from the Soviet Union, this material could threaten the strategic balance of power in the world. Abby finds herself caught between determined British operatives and relentless Soviet agents. The race to discover what she knows is cloaked in torture, murder, and conspiracy in this fast-paced thriller.
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PROLOGUE
“Have you any word?” He did not move from his chair. His nausea had subsided for the moment, but that and his loss of appetite had caused him to lose too much weight too quickly, resulting in weakness and lethargy.
“Not yet. These things take time.”
“I haven’t got time, only a brief reprieve.” He wiped the blood away from his nose and mouth. His voice was feeble, hard to hear even in this small, stark room where the life-sustaining machines were no longer in use.
His visitor declined to remove his coat but still shivered. “Keep hydrated.”
“It’s difficult to swallow.”
“I’ll thicken your drink for you. That should help.”
“Is the parcel lost? I’ll not have a chance to prepare another.”
“We don’t think so. It may have to change hands more than once.”
“But it is urgent! The world knows the devastating impact and poison of its subject.” His shortness of breath caused him to pause. “And Mother Russia is close to developing it! We cannot allow her to possess it!”
It was difficult to see such an eminent scientist in this condition. “Calm yourself. The release of material like this from anyone with less than your stature would not be effective. You have done what you can. Rest. I’ll see you again soon.”
Rest would not help his body, and his headache kept him from relaxing his mind. He could no longer sit upright. Confined to his bed, he waited.
“Seichas ya zdes. I am here now. Try to get the antibiotic down.”
“Thank you, doctor and friend.”
“Da zavtra. Until tomorrow.”
Had only a day passed? “Another blood transfusion? Delaying the inevitable?”
“I hope so. I’ll sit with you for a bit.”
The lights were dim, and there were no windows to the outside world. He was alone, and he had lost count of the days. “Hello? Eto vy? Is it you?”
“Yes. I’ll arrange your blanket.” The thin blanket would cover the bruises but provide scant warmth.
“I pray the end comes before they discover me. At my best I could not withstand what they would do, and now – ”
“Don’t give up! Your brave spirit has brought you this far. Good news may yet come. Ya vernus. I shall return.”
He could hear footsteps approaching, but he could not lift his head to greet the one they belonged to.
“Alexei, Alexei Bogdanovich, can you hear me? Dmitry has made it to France! With the parcel! He will follow through. He will find a way! Free nations will now know the extent of your research! Alexei Bogdanovich! You have beaten the Bear. You are now Viktor!”
Part One
À Bientôt
ONE
Major Matthew Worden, an intelligence officer with Great Britain’s Internal Security Service (MI5), had driven past the residence twice. It was owned by Pyotr Nikitin, a Russian businessman who was suspected of being a member of the Great Britain Communist Party. World War II had ended two years before, and the Soviet Union was now no longer an ally of Britain.
MI5 had evidence that subversive activity was now taking place across the island. In London, this house was one of several which MI5 had been monitoring for evidence of illegal proceedings. Worden did not have the manpower to watch them all round the clock, therefore soft surveillance had been arranged.
He had chosen an evening when there was a meet of the GBCP in the hope that the house, a neat but plain structure set back from the street, would be unoccupied. Indeed, the windows that faced the street were dark, and the winding driveway that curved round to the back of the house was free from any vehicles.
Worden was accompanied by his team. All wore dark clothes, and they planned to make entry silently, by disabling the lock instead of resorting to a battering ram. They all knew that sound travelled better at night, and it was imperative to avoid any noise in the quiet neighbourhood.
When Doug Giles felt a tap on his shoulder, he knew it was time to move. He, Glen Stuart, Roger Dunn, and Worden stepped quietly inside, but once there, they heard weak screams and guttural shouts. Instead of spreading out to conduct their search, Worden directed them toward the sounds. The cellar door stood open. They drew their weapons, and Worden nodded to indicate that they should move forward.
When they reached the bottom of the stairs, they could see three men and one woman. One of the men, heavyset with dark hair, had a knife in one hand. With his other arm he was supporting a young woman whose clothes were covered with blood. Her body was limp. If not completely unconscious, she was nearly so. Another man with similar coarse features stood next to him, also gripping a knife. An older and slightly less stocky individual with glasses – Pyotr Nikitin – was seated in a chair across from them.
“Drop the knife!” Worden yelled. “Drop the knife!”
When the man holding the woman moved his knife toward her throat, Dunn fired. The man dropped, and the woman fell. The thug next to him released his knife and backed against the wall, both hands in the air. Nikitin rose suddenly, and with an unintelligible cry and fists at the ready, attacked Stuart in an effort to reach the cellar stairs. Giles joined in Stuart’s defence, and when the man was pushed back, he lost his balance and toppled over backward, his head striking a large wooden chest. His body was motionless, his head was at an awkward angle, and Stuart confirmed that he was no longer breathing.
“Damn!” Worden exclaimed. He had wanted to interrogate him. “Dunn, secure your prisoner. Giles, stand watch. Stuart, take one car, locate Marston, and transport him to the clinic. I’ll take the woman with me in the other and meet you there. Return here soonest.”
He reached the young woman and lifted her from the floor. Blood from her injuries, which had stained her clothes, now coloured his. “Dear God,” he whispered.
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“Entrapped in a spiderweb of buried memories, harrowing interrogations and clandestine intrigue, Abigail Carmichael faces constant danger. In the tradition of Ken Follett, Naomi Kryske’s A Casualty of War reveals the tensions and treachery of the Cold War. It’s a story of dogged determination and tenderness, fear and uncertainty, injury and healing. Loved the book, from beginning to end. A great read!”
Thomas F. Gede, Attorney at Law, San Francisco, CA
“In A Casualty of War, as well as in the three novels in her Witness trilogy, Naomi Kryske has demonstrated a particular talent for character development. She has created an intricately woven narrative that situates two storylines in tension with each other: the psychological/romantic development of the protagonist Abby and the mystery/suspense plot regarding the Russians and MI5 agents. Such intrigue!”
Anna Hall-Zieger, Professor, Creative Writing, Texas A & M University
“A triumph of plot, character, and wisdom lies between the covers of this timely and extraordinary Cold War spy thriller. Few know what occurs behind the scenes at MI5, but Naomi Kryske gives us a convincing look into their operations. Like The Witness trilogy novels, this thought-provoking book is populated with unforgettable characters and filled with action, intrigue, intensity, humor, and powerful, engaging writing. Not to be missed!”
IAN CHADWICK, Specialist Firearms Officer (Retired), London Metropolitan Police Service